Description

Pale blue title text on gatefold sleeve. Laminated externally, matt-print inner. 8-page full-color varnish-print picture booklet (2 wires), with back cover pasted under internal vinyl wallet (right opening). Printed by Robert Stace. ‘Clarifoil’ laminate by British Celanese Limited. Back cover; “Stereo TXS 101” in a ‘print-spot’ box rule, with arrow pointing to right-angled text – “The tracks marked * are mono recordings electronically reprocessed to give stereo effect…” etc. Those marked * on inner sleeve pages are: A1, A3, A4, A5, A6, A7, B1, B2, B3, B4, B6, B7 (Leaving only 2 pure stereo tracks – A2 & B5) [The ‘print-spot’ box rule was used as a device for stickering to indicate a mono or stereo issue. See close-up in images] Vinyl; Silver on green “boxed” Decca labels – in poly-lined punch-hole liner (blue print data on one side). A7 credited wrongly to ‘Barry’ on label. ℗1963 – A7 (Jewel Music) ℗1964 – A3 (Kags Music), A6 (Southern Music), B6 (Essex Music), B7 (Jewel Music) ℗1965 – A4 (Mirage Music), A5 (Mirage Music), B1 (Mirage Music), B2 (Mirage Music) ℗1966 – A1 (Mirage Music), A2 (Mirage Music), B3 (Forward Music), B4 (Mirage Music), B5 (Mirage Music)